{"id":3438,"date":"2016-07-02T19:56:01","date_gmt":"2016-07-02T17:56:01","guid":{"rendered":"http:\/\/student.unifr.ch\/spectrum\/?p=3438"},"modified":"2017-04-23T00:04:39","modified_gmt":"2017-04-22T22:04:39","slug":"le-nifff-2016-en-presque-live-episode-i","status":"publish","type":"post","link":"https:\/\/student.unifr.ch\/spectrum\/2016\/07\/le-nifff-2016-en-presque-live-episode-i\/","title":{"rendered":"Le NIFFF 2016 en (presque) live : Episode I"},"content":{"rendered":"<h1><strong>Vous voulez suivre l\u2019actualit\u00e9 du NIFFF, mais \u00eates bloqu\u00e9 \u00e0 votre job d\u2019\u00e9t\u00e9 ou en vacances \u00e0 l\u2019autre bout du monde\u00a0? <\/strong><\/h1>\n<p class=\"dropcap dropcap-borders\">A coup de boissons bien caf\u00e9in\u00e9es, nous vous concocterons un r\u00e9capitulatif des films qui y ont \u00e9t\u00e9 projet\u00e9 durant le festival.<\/p>\n<h1 style=\"text-align: center;\"><span lang=\"FR-CH\">1<sup>er<\/sup> juillet<\/span><\/h1>\n<div class=\"embed embed-responsive embed-responsive-16by9\"><iframe loading=\"lazy\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/qYTv7mIBfdY?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<div class=\"su-spoiler su-spoiler-style-fancy su-spoiler-icon-arrow-circle-1\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-spoiler-title\" tabindex=\"0\" role=\"button\"><span class=\"su-spoiler-icon\"><\/span>Film d'ouverture | H\u00e4xan<\/div><div class=\"su-spoiler-content su-u-clearfix su-u-trim\">\n<p><em>H\u00e4xan<\/em> est un film muet su\u00e9do-danois qui retrace l\u2019histoire de la sorcellerie \u00e0 travers les \u00e2ges. Divis\u00e9 en sept parties, on y prend connaissance de l\u2019imagination rocambolesque des gens vivants \u00e0 l\u2019\u00e9poque m\u00e9di\u00e9vale et des nombreuses injustices caus\u00e9es entre et envers les femmes. On y apprend entre autres que tirer la langue signifiait \u00eatre poss\u00e9d\u00e9 par le diable et que les sorci\u00e8res d\u2019antan sont \u00ab\u00a0<em>aujourd\u2019hui<\/em>\u00a0\u00bb (1921) diagnostiqu\u00e9es comme victimes d\u2019hyst\u00e9rie.<\/p>\n<p><a href=\"http:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/haxan.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-3440\" src=\"http:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/haxan-300x238.jpg\" alt=\"ha\u0308xan\" width=\"300\" height=\"238\" srcset=\"https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/haxan-300x238.jpg 300w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/haxan-335x265.jpg 335w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/haxan.jpg 999w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>In\u00e9dit pour l\u2019\u00e9poque, <em>H\u00e4xan<\/em> fait preuve d\u2019ing\u00e9niosit\u00e9 en mati\u00e8re d\u2019effets sp\u00e9ciaux en sugg\u00e9rant nudit\u00e9 et pulsions et en reconstituant les tortures inflig\u00e9es par l\u2019Inquisition. Mais plus impressionnant encore \u00e9tait la qualit\u00e9 de la bande-son jou\u00e9e en live par<strong> l\u2019Ensemble Symphonique de Neuch\u00e2tel<\/strong>. Dirig\u00e9s par la cheffe d\u2019orchestre <strong>Gillian Anderson<\/strong>, les musiciens ont jou\u00e9 des morceaux connus, tels que l\u2019ouverture de Tannh\u00e4user de <strong>Wagner<\/strong>, la symphonie inachev\u00e9e de <strong>Schubert<\/strong> et la danse macabre de <strong>Saint-Sa\u00ebns<\/strong>.<\/p>\n<p><em>H\u00e4xan<\/em> a \u00e9t\u00e9 diffus\u00e9 en tant que film d\u2019ouverture du <strong>NIFFF<\/strong> apr\u00e8s la c\u00e9r\u00e9monie qui incluait le discours \u00e9mouvant de la directrice de l\u2019Office F\u00e9d\u00e9ral de la Culture <strong>Isabelle Chassot<\/strong>, les talents d\u2019acteur du Conseiller d\u2019\u00c9tat <strong>Alain Ribaux<\/strong> et le costard rose du Pr\u00e9sident de la ville de Neuch\u00e2tel Thomas <strong>Facchinetti<\/strong>.<\/p>\n<p><strong>H\u00e4xan<\/strong><\/p>\n<h3>Film d\u2019ouverture<br \/>\nBenjamin Christensen, SE, 1922, 104\u2019, Witchcraft from the past<br \/>\nFilm en entier (domaine public) : <span class=\"button\"><a href=\"https:\/\/www.youtube.com\/watch?v=lF_HkDukkz8\">lien<\/a><\/span><\/h3>\n<h3><\/div><\/div><\/h3>\n<p>&nbsp;<\/p>\n<hr \/>\n<div class=\"embed embed-responsive embed-responsive-16by9\"><iframe loading=\"lazy\" width=\"1170\" height=\"878\" src=\"https:\/\/www.youtube.com\/embed\/_OVYA0DvHc0?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<div class=\"su-spoiler su-spoiler-style-fancy su-spoiler-icon-arrow-circle-1\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-spoiler-title\" tabindex=\"0\" role=\"button\"><span class=\"su-spoiler-icon\"><\/span>El Vampiro Negro<\/div><div class=\"su-spoiler-content su-u-clearfix su-u-trim\">Contrairement aux apparences, <em>El Vampiro Negro<\/em> n\u2019est pas un film de blaxploitation, mais la r\u00e9interpr\u00e9tation argentine du classique <em>M Le Maudit<\/em> de <strong>Fritz Lang<\/strong>. Le \u00ab\u00a0maudit\u00a0\u00bb est remplac\u00e9 par un vampire pour accentuer les pulsions meurtri\u00e8res du protagoniste v\u00eatu de noir.<\/p>\n<p><a href=\"http:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/el-vampiro-negro.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-3439\" src=\"http:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/el-vampiro-negro-300x186.jpg\" alt=\"El vampiro negro\" width=\"300\" height=\"186\" srcset=\"https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/el-vampiro-negro-300x186.jpg 300w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/el-vampiro-negro-1024x634.jpg 1024w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/el-vampiro-negro-335x208.jpg 335w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/el-vampiro-negro-1050x650.jpg 1050w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/el-vampiro-negro.jpg 2000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>L\u2019\u0153uvre originale datant de 1931 et \u00e9tant impr\u00e9gn\u00e9e par l\u2019expressionnisme, <em>El Vampiro Negro<\/em> paru 20 ans plus tard est stylistiquement tr\u00e8s influenc\u00e9 par les films noirs am\u00e9ricains contemporains. Il en ressort une atmosph\u00e8re toute autre que la version Fritz Lang, mais \u00e0 notre sens autant digne de l\u2019insigne \u00ab\u00a0<em>culte<\/em>\u00a0\u00bb que ce dernier. La trame a \u00e9t\u00e9 modifi\u00e9e avec de nouveaux enjeux narratifs et donne un meilleur aper\u00e7u de la psychologie du meurtrier. L\u2019inclusion du monde de la nuit est caract\u00e9ristique des films noirs et permet ici de travailler moins de personnages tout en les rendant plus identifiables que chez Fritz Lang.<\/p>\n<p>Le jeu d\u2019acteur est digne de tous les autres films de cette \u00e9poque, concurren\u00e7ant sans probl\u00e8me un <strong>Humphrey Bogart<\/strong> ou une ou une <strong>Grace Kelly<\/strong>. En ce qui concerne cependant le meurtrier, le jeu de <strong>Nath\u00e1n Pinz\u00f3n<\/strong>, quoique excellent, ne remplacera jamais l\u2019interpr\u00e9tation mythique de son pr\u00e9d\u00e9cesseur <strong>Peter Lorre<\/strong>.<\/p>\n<h3><strong>El Vampiro Negro<br \/>\n<\/strong>Panorama El Dorado<br \/>\nRom\u00e1n Vi\u00f1oly Barreto, AR, 1953, 90\u2019, horror \u2013 gothic<\/h3>\n<\/div><\/div>\n<hr \/>\n<div class=\"embed embed-responsive embed-responsive-16by9\"><iframe loading=\"lazy\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/skbB6WzSceg?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<div class=\"su-spoiler su-spoiler-style-fancy su-spoiler-icon-arrow-circle-1\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-spoiler-title\" tabindex=\"0\" role=\"button\"><span class=\"su-spoiler-icon\"><\/span>Pride and Prejudice and Zombies<\/div><div class=\"su-spoiler-content su-u-clearfix su-u-trim\">\n<p>Le synopsis se lit \u00e0 m\u00eame le titre\u00a0: les personnages d\u2019<em>Orgueil et Pr\u00e9jug\u00e9s<\/em> sont confront\u00e9s \u00e0 une invasion de zombies. Il s\u2019agit de l\u2019adaptation du livre \u00e9ponyme paru en 2009 qui parodie le classique de la litt\u00e9rature anglaise de <strong>Jane Austen<\/strong>. Les filles Bennet sont donc \u00e9lev\u00e9es non pas \u00e0 la litt\u00e9rature, mais \u00e0 l\u2019art de combattre. Voici un film qui semble typiquement autant parler pour la gente f\u00e9minine par sa romance que pour la gente masculine par sa violence.<\/p>\n<p><a href=\"http:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/pride-and-prejudice-and-zombies-2016-movie.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-medium wp-image-3441\" src=\"http:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/pride-and-prejudice-and-zombies-2016-movie-300x225.jpg\" alt=\"pride-and-prejudice-and-zombies-2016-movie\" width=\"300\" height=\"225\" srcset=\"https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/pride-and-prejudice-and-zombies-2016-movie-300x225.jpg 300w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/pride-and-prejudice-and-zombies-2016-movie-1024x768.jpg 1024w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/pride-and-prejudice-and-zombies-2016-movie-72x54.jpg 72w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/pride-and-prejudice-and-zombies-2016-movie-335x251.jpg 335w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/pride-and-prejudice-and-zombies-2016-movie-1050x788.jpg 1050w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2016\/07\/pride-and-prejudice-and-zombies-2016-movie.jpg 1600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Bien que l\u2019id\u00e9e de base soit ridiculement attrayante, le spectateur est laiss\u00e9 sur sa faim. Le film n\u2019assume pas son mat\u00e9riau d\u2019origine (car oui, nous l\u2019avons lu) dont l\u2019absurdit\u00e9 est compl\u00e8tement volontaire. Il opte davantage pour de l\u2019action lambda et du fan-service avec des acteurs issus de <em>Downton Abbey<\/em>, <em>Doctor Who<\/em> et <em>Game of Thrones<\/em>. Les rares s\u00e9quences humoristiques partent en p\u00e9tard mouill\u00e9 et les sc\u00e8nes suppos\u00e9ment romantiques sont pr\u00e9visibles au possible.<\/p>\n<p><em>Pride and Prejudice and Zombies<\/em> est \u00e0 conseiller \u00e0 ceux qui s\u2019int\u00e9ressent plus \u00e0 la forme qu\u2019au fond\u00a0; du pur divertissement d\u00e9nu\u00e9 de second degr\u00e9. En salles en Suisse Romande \u00e0 partir du 6 juillet.<\/p>\n<h3><strong>Pride and Prejudice and Zombies<br \/>\n<\/strong>Ultra Movies<br \/>\nBurr Steers, US\/UK, 2016, 107\u2019, horror victorian style<\/h3>\n<\/div><\/div>\n<hr \/>\n<h3 style=\"text-align: right;\"><strong>Clarisse Aeschlimann<\/strong><\/h3>\n<p style=\"text-align: center;\"><span class=\"button\"><a href=\"http:\/\/www.nifff.ch\/site\/fr\/accueil\"> Plus d&rsquo;infos sur le site du NIFFF <\/a><\/span><\/p>\n<div class=\"pdf24Plugin-cp\"> \t<form name=\"pdf24Form0\" method=\"post\" action=\"https:\/\/doc2pdf.pdf24.org\/wordpress.php\" target=\"pdf24PopWin\" onsubmit=\"var pdf24Win = window.open('about:blank', 'pdf24PopWin', 'resizable=yes,scrollbars=yes,width=600,height=250,left='+(screen.width\/2-300)+',top='+(screen.height\/3-125)+''); pdf24Win.focus(); if(typeof pdf24OnCreatePDF === 'function'){void(pdf24OnCreatePDF(this,pdf24Win));}\"> \t\t<input type=\"hidden\" name=\"blogCharset\" value=\"Cw1x07UAAA==\" 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