{"id":6951,"date":"2017-07-08T14:28:27","date_gmt":"2017-07-08T12:28:27","guid":{"rendered":"https:\/\/student.unifr.ch\/spectrum\/?p=6951\/"},"modified":"2017-07-08T17:28:21","modified_gmt":"2017-07-08T15:28:21","slug":"nifff-2017-6eme-nuitnifff-2017-6eme-nuit","status":"publish","type":"post","link":"https:\/\/student.unifr.ch\/spectrum\/2017\/07\/nifff-2017-6eme-nuitnifff-2017-6eme-nuit\/","title":{"rendered":"NIFFF 2017 : 6\u00c8ME NUIT"},"content":{"rendered":"<h1>QUITTONS AUJOURD\u2019HUI L\u2019ORIENT POUR NOUS CONSACRER \u00c0 DES PRODUCTIONS OCCIDENTALES. VOICI TROIS FILMS EUROP\u00c9ENS QUI FONT PARTIE DE LA COMP\u00c9TITION INTERNATIONALE DU NIFFF.<\/h1>\n<h2>HOSTILE<\/h2>\n<p>Une jeune femme est seule et gravement bless\u00e9e au milieu d\u2019un d\u00e9sert post-apocalyptique, alors que la nuit tombe et que des monstres cannibales r\u00f4dent. En luttant pour sa survie, elle se rem\u00e9more son pass\u00e9, en particulier sa rencontre avec l\u2019amour de sa vie. Ses souvenirs font \u00e9chos aux \u00e9preuves qu\u2019elle doit affronter pendant qu\u2019elle attend les renforts et la lev\u00e9e du jour.<br \/>\nCe long-m\u00e9trage fran\u00e7ais comporte cependant une faiblesse majeure qui nuit beaucoup \u00e0 sa cr\u00e9dibilit\u00e9 et \u00e0 l\u2019impact \u00e9motionnel recherch\u00e9. La relation entre la protagoniste et son conjoint escale et prend des allures de Fifty Shades of Grey, d\u00e9nuant ainsi les personnages de toute sympathie. De mani\u00e8re g\u00e9n\u00e9rale, Hostile a recours \u00e0 des raccourcis sc\u00e9naristiques des films romantiques et de survival horror.<br \/>\nA part cela, ce film est irr\u00e9prochable : Excellente mise en sc\u00e8ne \u00e9quilibrant bien l\u2019horreur avec les flashbacks romantiques, Hostile a aussi eu le bon r\u00e9flexe de ne pas r\u00e9v\u00e9ler tout de suite l\u2019apparence de la cr\u00e9ature contrairement \u00e0 ce qui est trop souvent le cas ces derniers temps. Ce long-m\u00e9trage pourrait se faire passer pour une production am\u00e9ricaine plut\u00f4t que fran\u00e7aise, le spectateur n\u2019y verrait que du feu.<br \/>\n<a href=\"https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0669.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-6953 size-full\" src=\"https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0669.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0669.jpg 1920w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0669-960x540.jpg 960w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0669-768x432.jpg 768w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0669-530x298.jpg 530w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><\/p>\n<h2>MON ANGE<\/h2>\n<div class=\"embed embed-responsive embed-responsive-16by9\"><iframe loading=\"lazy\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/jINln6boPXM?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<p>Le p\u00e8re ayant myst\u00e9rieusement disparu, la m\u00e8re met au monde un enfant parfaitement transparent qu\u2019elle nomme \u00ab Mon Ange \u00bb. Elle \u00e9l\u00e8ve son fils \u00e0 l\u2019abri des autres contacts humains par crainte qu\u2019ils aient peur de lui. Un jour, une famille emm\u00e9nage en face de chez eux, et \u00ab Mon Ange \u00bb est intrigu\u00e9 par leur petite fille Madeleine. Il se d\u00e9cide un jour de lui rendre visite et sympathise avec elle, car Madeleine est aveugle et sens sa pr\u00e9sence sans avoir \u00e0 le voir. Quand on vous disait \u00ab l\u2019amour est invisible pour les yeux \u00bb, ici, il l\u2019est litt\u00e9ralement.<br \/>\nCe long-m\u00e9trage belge est BEAU. Tire-larmes constant, les vannes lacrymales du spectateur restent ouvertes pendant toute la dur\u00e9e du film. C\u2019est aussi une \u0153uvre toute simple. Ayant peu recours aux effets sp\u00e9ciaux, elle est film\u00e9e en subjective avec la cam\u00e9ra qui fait office des yeux du protagoniste invisible.<br \/>\nCurieusement, Mon Ange a \u00e9t\u00e9 sc\u00e9naris\u00e9 par Thomas Gunzig, romancier surtout connu pour son humour noir et d\u00e9rangeant. Mais ici, il retourne compl\u00e8tement sa veste pour imaginer un film po\u00e9tique, magique, touchant et sensible. \u00c0 regarder avec un paquet de mouchoirs \u00e0 proximit\u00e9.<br \/>\n<a href=\"https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0671.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-6954 size-full\" src=\"https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0671.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0671.jpg 1920w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0671-960x540.jpg 960w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0671-768x432.jpg 768w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0671-530x298.jpg 530w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><\/p>\n<h2>EL BAR<\/h2>\n<div class=\"embed embed-responsive embed-responsive-16by9\"><iframe loading=\"lazy\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/2W3RwYE6Xj8?start=5&#038;feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/div>\n<p>En Espagne, un bar re\u00e7oit la visite de toutes les classes sociales : du clochard proph\u00e8te au policier \u00e0 la g\u00e2chette facile, de la jeune femme pr\u00e9tentieuse et manucur\u00e9e \u00e0 la rombi\u00e8re accro aux jeux et hyst\u00e9rique. Un matin \u00e0 Madrid, des clients d\u2019un bar sont t\u00e9moins d\u2019un meurtre dans la rue et se retrouvent enferm\u00e9s dans l\u2019\u00e9tablissement. \u00c0 d\u00e9faut de savoir ce qui se passe \u00e0 l\u2019ext\u00e9rieur, la survie des huit personnes que tout s\u00e9pare d\u00e9pend de leur capacit\u00e9 de raisonnement et de coop\u00e9ration.<br \/>\nDeuxi\u00e8me projection de ce film au NIFFF dans une salle comble, et qui plus est r\u00e9alis\u00e9 par \u00c1lex de la Iglesia, connu pour avoir fait entre autres Balada Triste de Trompeta, ce huis-clos avait tout pour \u00eatre prometteur. Verdict : Malgr\u00e9 le climat tendu de ce long-m\u00e9trage espagnol, le spectateur est laiss\u00e9 sur sa faim.<br \/>\nLes personnages \u00e9tablis d\u00e8s le d\u00e9but du film sont d\u00e9lib\u00e9r\u00e9ment des st\u00e9r\u00e9otypes et les codes du huis-clos sont d\u2019autant plus accentu\u00e9s et ridiculis\u00e9s, mais pas repens\u00e9s. En clair, El Bar semble n\u2019\u00eatre qu\u2019un pastiche des \u0153uvres de ce genre, sans vraiment tester de nouvelles choses. Les attributs des personnages changent lorsqu\u2019ils sont confront\u00e9s \u00e0 une situation de danger, ce qui les rend certes plus humains et profonds, mais cela d\u00e9stabilise \u00e9galement toute la narration. \u0152uvre incompl\u00e8te.<br \/>\n<a href=\"https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0670.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-6955 size-full\" src=\"https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0670.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0670.jpg 1920w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0670-960x540.jpg 960w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0670-768x432.jpg 768w, https:\/\/student.unifr.ch\/spectrum\/wp-content\/uploads\/2017\/07\/IMG_0670-530x298.jpg 530w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><\/p>\n<p><strong><span class=\" credits\">Cr\u00e9dits Photo : NIFFF<\/span><br \/>\n<span class=\" credits\"><a href=\" www.nifff.ch\">Site Officiel du Festival<\/a><\/span><\/strong><\/p>\n<div class=\"pdf24Plugin-cp\"> \t<form name=\"pdf24Form0\" method=\"post\" action=\"https:\/\/doc2pdf.pdf24.org\/wordpress.php\" target=\"pdf24PopWin\" onsubmit=\"var pdf24Win = window.open('about:blank', 'pdf24PopWin', 'resizable=yes,scrollbars=yes,width=600,height=250,left='+(screen.width\/2-300)+',top='+(screen.height\/3-125)+''); pdf24Win.focus(); if(typeof pdf24OnCreatePDF === 'function'){void(pdf24OnCreatePDF(this,pdf24Win));}\"> \t\t<input type=\"hidden\" name=\"blogCharset\" value=\"Cw1x07UAAA==\" \/><input type=\"hidden\" name=\"blogPosts\" value=\"MwQA\" \/><input type=\"hidden\" name=\"blogUrl\" value=\"yygpKSi20tcvLilNSc0r0SvNy0wr0kvO0C8uSE0uKSrNBQA=\" \/><input type=\"hidden\" name=\"blogName\" value=\"Cy5ITS4pKs0FAA==\" \/><input type=\"hidden\" name=\"blogValueEncoding\" 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\/> \t\t<a href=\"https:\/\/www.pdf24.org\" target=\"_blank\" title=\"www.pdf24.org\" rel=\"nofollow\"><img src=\"https:\/\/student.unifr.ch\/spectrum\/wp-content\/plugins\/pdf24-post-to-pdf\/img\/pdf_32x32.png\" alt=\"\" border=\"0\" height=\"32\" \/><\/a> \t\t<span class=\"pdf24Plugin-cp-space\">&nbsp;&nbsp;<\/span> \t\t<span class=\"pdf24Plugin-cp-text\">Envoyer l'article en PDF<\/span> \t\t<span class=\"pdf24Plugin-cp-space\">&nbsp;&nbsp;<\/span> \t\t<input class=\"pdf24Plugin-cp-input\" style=\"margin: 0px;\" type=\"text\" name=\"sendEmailTo\" placeholder=\"Entrez l'adresse e-mail\" \/> \t\t<input class=\"pdf24Plugin-cp-submit\" style=\"margin: 0px;\" type=\"submit\" value=\"Envoyer\" \/> \t<\/form> <\/div>","protected":false},"excerpt":{"rendered":"<div class=\"post-excerpt\">QUITTONS AUJOURD\u2019HUI L\u2019ORIENT POUR NOUS CONSACRER \u00c0 DES PRODUCTIONS OCCIDENTALES. VOICI TROIS FILMS EUROP\u00c9ENS QUI FONT PARTIE DE LA COMP\u00c9TITION INTERNATIONALE DU NIFFF. HOSTILE&hellip;<\/div>\n","protected":false},"author":41,"featured_media":6953,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[160,80],"tags":[63,1280],"views":1460,"_links":{"self":[{"href":"https:\/\/student.unifr.ch\/spectrum\/wp-json\/wp\/v2\/posts\/6951"}],"collection":[{"href":"https:\/\/student.unifr.ch\/spectrum\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/student.unifr.ch\/spectrum\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/student.unifr.ch\/spectrum\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/student.unifr.ch\/spectrum\/wp-json\/wp\/v2\/comments?post=6951"}],"version-history":[{"count":7,"href":"https:\/\/student.unifr.ch\/spectrum\/wp-json\/wp\/v2\/posts\/6951\/revisions"}],"predecessor-version":[{"id":6973,"href":"https:\/\/student.unifr.ch\/spectrum\/wp-json\/wp\/v2\/posts\/6951\/revisions\/6973"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/student.unifr.ch\/spectrum\/wp-json\/wp\/v2\/media\/6953"}],"wp:attachment":[{"href":"https:\/\/student.unifr.ch\/spectrum\/wp-json\/wp\/v2\/media?parent=6951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/student.unifr.ch\/spectrum\/wp-json\/wp\/v2\/categories?post=6951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/student.unifr.ch\/spectrum\/wp-json\/wp\/v2\/tags?post=6951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}